Nice thing to tell a Pavlovian. Is it Mexico’s usual priggish insensitivity, or does he know what he’s saying? If there is nothing to link the rocket strikes—no reflex arc, no Law of Negative Induction … then … He goes in to Mexico each morning as to painful surgery. Spooked more and more by the choirboy look, the college pleasantries. But it’s a visit he must make. How can Mexico play, so at his ease, with these symbols of randomness and fright? Innocent as a child, perhaps unaware—perhaps—that in his play he wrecks the elegant rooms of history, threatens the idea of cause and effect itself. What if Mexico’s whole generation have turned out like this? Will Postwar be nothing but “events,” newly created one moment to the next? No links? Is it the end of history? (Location 1076)
Note: probability, statistics, benjamin etc
from a distance no two observers, no matter how close they stand, see quite the same building in that orgy of self-expression, added to by each succeeding owner, until the present War’s requisitioning. (Location 1601)
Note: reminiscent of the Rev Sabine baring-gould’s obs about dartmoor.
Topiary trees line the drive for a distance before giving way to larch and elm: ducks, bottles, snails, angels, and steeplechase riders they dwindle down the metaled road into their fallow silence, into the shadows under the tunnel of sighing trees. The sentry, a dark figure in white webbing, stands port-arms in your masked headlamps, and you must halt for him. The dogs, engineered and lethal, are watching you from the woods. Presently, as evening comes on, a few bitter flakes of snow begin to fall. (Location 1602)