Dance to the Music of Time Volume 1

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Highlights

  • Widmerpool looked taken aback. His breathing had become less heavy while he unburdened himself of his story. Now once more it began to sound like an engine warming up. (Location 706)
  • Somehow I felt rather moved as the hymn rolled on. A group of boys sitting behind me began to chant a descant of their own; making a good deal of noise, not entirely disagreeable. Cobberton noticed the sound, and frowned. Widmerpool also stopped singing for a second and he too glanced across reprovingly. That was my last memory of him at school, because he left, for good, a few weeks later; although owing to some misunderstanding—perhaps Le Bas’s mind was more confused than usual on account of the trick played on him—Widmerpool’s name continued to appear in the house-list of the following September: a final assertion of the will to remain and strive further for unattainable laurels. (Location 744)
  • IS NOT easy—perhaps not even desirable—to judge other people by a consistent standard. Conduct obnoxious, even unbearable, in one person may be readily tolerated in another; apparently indispensable principles of behaviour are in practice relaxed—not always with impunity—in the interests of those whose nature seems to demand an exceptional measure. That is one of the difficulties of committing human action to paper, a perplexity that really justifies the alternations of comedy with tragedy in Shakespearian drama: because some characters and some deeds (Uncle Giles’s, as I have mentioned) may be thought of only in terms appropriate to themselves, irrespective of their consequence. (Location 750)